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Jasmin Dizdar (born 8 June 1961) is a British-Bosnian film director, screenwriter and author best known for his multi-award winning feature film ''Beautiful People'' and his World War Two thriller Chosen staring Harvey Keitel.〔http://www.imdb.com/name/nm0229026/?ref_=fn_al_nm_1〕 Beautiful People is number 71 in The New York Times Guide to The Best 1,000 Movies Ever Made.〔http://www.imdb.com/list/jhyVW9vyfqA/〕 Jasmin Dizdar also published a book on cinema, which achieved a high volume of sales, with over 50,000 copies sold. 〔http://milosforman.com/en/biblio/monography〕 His distinctive filmmaking signature includes unflaggingly inventive uses of montage, sound and music where coincidences are often both funny and horrific, iconoclastic dry wit humor and imaginative rich storytelling. Dizdar’s kinetics awaken and reveal our fundamental need for love whilst drawing our attention to what separates us: language barriers, prejudice, dogmatism, and above all, a collective obtuseness and indifference towards one another.〔http://www.chicagotribune.com/cl-movie000302-29-story.html〕 ==Early life== Jasmin Dizdar was born and grew up in his Bosnian hometown of Zenica, where his gift for creative writing was spotted early on by primary school teacher of literature. With her guidance and encouragement, he sent his short story “History Hour” to a regional competition and won his first award for the best short story.〔http://www.imdb.com/name/nm0229026/bio?ref_=nm_ov_bio_sm〕 When he was 12, Dizdar’s love affair with movies had begun, and he soon became prolific cinemagoer. There were four theaters in Zenica, and Dizdar used an intricate system to get into them for free: he made facsimiles of movie tickets by scavenging for stubs in rubbish bins, then collecting the other halfs from patrons as they came out of theaters. Gluing torn bits together and re-using them as fake cinema tickets enabled him to see the same film several times for free, particularly multiple showings of such Westerns as Sergio Leone's A Fistful of Dollars, The Good, the Bad and the Ugly and Once Upon a Time in the West. Because Dizdar was so tall for his age (he is now 6 foot 6), he even managed to see Bernardo Bertolucci's film Last Tango in Paris, despite it’s 18 rated certificate.〔http://www.sfgate.com/entertainment/article/A-Bosnian-s-Look-at-London-Jasmin-Dizdar-making-2770870.php〕 During his time at secondary school, he was an actor in the famous Bosnian theatre play "Hanka", based on the novel by Isak Samokovlija as well as being adapted for a film Hanka directed by the renowned Yugoslav film director Slavko Vorkapić. The play premiered in Zenica's Old National Theatre.〔http://www.imdb.com/name/nm0229026/bio?ref_=nm_ov_bio_sm〕 As a teenager Jasmin Dizdar joined a local film club where he wrote, edited and directed numerous short documentary, drama and experimental films and began to take interest in film theory, particularly Russian structuralist film theory. His last Bosnian film ''Butterfly Dance'' (featuring an ensemble cast from Zenica's National Theatre) got him into the prestigious Film and TV School of the Academy of Performing Arts in Prague, Czech Republic.〔http://www.imdb.com/name/nm0229026/bio?ref_=nm_ov_bio_sm〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jasmin Dizdar」の詳細全文を読む スポンサード リンク
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